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When it arrived, Chhayavaad was very well received by readers and critics alike. However, subsequent scholars have criticized Chhayavaad for excessive use of decorative language, romanticism aloof from contemporary social and economic malaise and setting stricter rules on meter, rhyme etc.
"The reason why the world lacks unity is because man is disunited with himself... We live in succession, in division, in parts, in particles. Meanwhile, within man is the soul of the whole, the wise silence, the universal beauty, to which every part and particle is equally related, the eternal One. And this deep power in which we exist, and whose beatitude is all accessible to us, is not only self-sufficing and perfect in every hour, but the act of seeing and the thing seen, the seer and the spectacle, the subject and the object, are one."
In France, as in much of Europe, the Napoleonic Wars ended in exile for Napoleon and a reactionary wave of Restoration policies. The French republic once again became a monarchy. In fine art terms, all this led to a huge boost for Romanticism, hitherto restrained by the domination of Neoclassicists such as the political painter Jacques Louis David (1748-1825) and other ruling members of the French Academy who had reigned unchallenged. Broader in outlook than their German counterparts, French Romantic artists did not restrict themselves to landscape and the occasional genre painting , but also explored portrait art and history painting .
In general, the term “Romanticism” applied to music has come to mean the period roughly from the 1820s until 1910. The contemporary application of “romantic” to music did not coincide with modern categories. In 1810, . Hoffmann called Mozart , Haydn , and Beethoven the three "Romantic Composers," while Ludwig Spohr used the term "good Romantic style" to apply to parts of Beethoven's Fifth Symphony. By the early twentieth century, the sense that there had been a decisive break with the musical past led to the establishment of the nineteenth century as "The Romantic Era," and as such it is referred to in the standard encyclopedias of music.