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Danto gave just this kind of account: an explanation of the end of art that, though inspired by Hegel, was not founded on his notions of world history and Geist , and was focused on the recent history of art. Danto’s claim was that art’s first task – the first narrative it worked through – was the perfection of verisimilitude; of producing images that presented an exact likeness of their objects. From the painstaking work in Greek sculpture, aided by advances in Greek anatomy (the sculptures Doryphoros , or Myron’s Discobolus , for example), to the progressive use and refinement of optics and the science of perspective in the Renaissance (for example, Masaccio’s use of one-point linear perspective in his Holy Trinity ), artists continually improved their ability to depict objects in a lifelike fashion.